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She must’ve kept that mysterious man in the back of her mind, and being such a young, impressionable child in such a core memory, it would make sense why Suzume would have this underlying attachment to him whether she realizes it or not if she ever met him in the future. Child Suzume saw Sota alongside her older self as she left the ever after, immediately after being comforted of her loss and gaining the most significant remnant of her mother mind you. I actually think the relationship was well founded tbh. Look, I honestly loved the film-it gripped me emotionally like very few movies ever do-and even the chair was a blast to see zooming around the screen and expressing itself, but this rant is just something that stuck with me. Then there's another cat, and.it possesses Suzume's aunt and then just kinda vibes for the rest of the film until it suddenly turns into the good half of a Kaiju battle. Like, yes, I know that it's later revealed that Daijun was leading the protagonists to the doors, not opening them, but it never finds a similar way to recontextualize his initial bit of brutality. And later learning that the transformation is also effectively a death sentence? And the cat knew it?Īnd then later we're supposed to feel bad for the cat when Suzume lashes out at the creature who mutilated and (seemingly) murdered her friend? Certainly nothing croenberg-ish, but like, still a horrific violation. Like, the first thing we see Daijin do is turn Saito into a chair, and run off without explaining anything or offering a route to fix it, which.maybe I'm just sensitive to this sort of thing, felt like a form of body horror. She was now able to move on from her trauma. Suzume did the inner work of reconnecting with her child self that she left behind when she stopped wanting to emotionally conmect with others due to not wanting to be hurt again. What is it about Suzume meeting herself as a child? Remember she's also the one who pulled it out in the first place. Suzume admitting to herself that she will NOT accept Soutas fate is her battling her own worm and putting her keystone (Daijin - love) eventually back in place. She doesn't wish connection with her aunt due to her trauma and pushes her away. Suzume lost her mother and closed herself off after that. He is a healer trying to bring more love into the world. Souta wants to be a teacher which fits well with his calling. They lash out in an uncontrolled way, a lot of people get hurt, there is a lot of destruction. The worm being completely unleashed is what the "unaware" traumatized people do. He's basically doing the thing that "functioning" trauma survivors do. Souta reminisces on the good memories to encourage connecting to the good things that happened. So the keys/love+anger are needed to destroy the worm/trauma by admitting to the bad parts in order to connect again.Įven if things go right, trauma will come up, eveb in smaller doses (which are the smaller arms that come throigh the doors). And the cats make up too, which is why Sadaijin starts grooming Daijin. When Suzumes aunt says these horrible things (Sadaijin) she later on apologizes and says that it's something that she sometimes thinks, but that that's not how she usually feels, so they make up and can connect (Daijin) for the first time in that way. The trauma usually puts us into an imbalance, which makes us angry at others and lash out, that's Sadaijin.
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When we experiences something traumatic, we need love, understanding, relating. I think those are the two facets of trauma. One wants nothing but to be loved, the other is angry and lashes out at people. So what about the 2 keystones that hold the worm/trauma in place below the ground?Īs we've learned the 2 keys are Daijin and Sadaijin. I think the worm that lives below Japan and regularly shakes up the ground is people's trauma that bubbles up from time to time to haunt them. After all wooden construction gets broken and everyone needs some time to rest.Okay after just watching the movie at the cinema here's my take: They even fuck her together - horse with his huge dick and mistress with her black strap-on. Mistress puts on her strap on and stretches Quiet's asshole for a massive anal sex. Horse has so much cum that it flows out even through her asshole. Right after that Brutus' cock is inside Quite's mouth and she sucks it really deep, while mistress is licking Quiet's ass. Instead she gives the horse few moments to relax and puts her own pussy on Quiet's face. This part starts with the few minutes from previous video where Brutus is ready to cum inside Quiet but mistress won't let him. Crazy shit continues as BDSM mistress keeps torturing Quiet from Metal Gear Solid 5 with the help of her horse Brutus.